But for each piano, we did select a different set up, to give different colours for every of the five instruments. As the tuning work is important, we took the best qualified person for that essential part of the process.ĭuring the recording we always used the very best sounding quality gear. Then we booked for several days some of the best recording studios in Europe, for example for the Steinway. After some research and like dozens of piano reviewed, we found the amazing sounding models that all our consultants loved. Then we solicited two different classical and jazz pianists, both outstanding concert performers, to give us a hand finding the ideal one. Grand Piano Collection highlights five wonderful instruments:įor everyone of them we used the same method:įirst, we had to find the right instrument. These pianos are not our first endeavour, in fact we did sample many more, so we had the chance to see the expertise turn up. A good sounding piano is a rare alchemy between the instrument, the acoustic in the recording studio, the microphones and above all, the engineer's taste. True to our beliefs, we don't think it's about figures (like velocity, memory, number of microphones) but about feeling. Grand Piano Collection features surely some of the best sounding sampled pianos in the market. The ultimate piano collection from UVI! Enjoy the splendor and detail of 5 of our meticulously crafted instruments, and enjoy a nice discount to boot! These range from natural spaces like concert and recital halls to studio rooms and shimmering digital bliss.A Massive Collection of 5 Majestic Grands In addition to analog-modeled tape saturation, compression, EQ, and transient design, the convolution reverb comes with 31 custom impulse responses. We’ve also included a powerful effects rack for further mixing and processing. With an assortment of presets included, customizing Pearl for your DAW or MIDI controller couldn’t be easier! The settings page offers fine control over “under-the-hood” controls such as volume envelope, velocity response, tuning (and microtuning), and noise volume. On the main page (pictured below), each microphone can be effortlessly mixed, with per-channel EQ, stereo width, compression, and optional routing to different KONTAKT outputs. The interface of Pearl is every bit as elegant and beautiful as the piano itself. We know that as soon as you load Pearl and beginning playing, you will have the same reaction we did when we played this piano for the first time. By simply adjusting the mic mix alone, you can achieve drastically different timbres. The default tuning, velocity curve, and mixing settings are all set to inspire your compositions and musical creativity.Ī powerful yet unencumbered user interface provides very easy control over all aspects of the sound, such as mic mixing, channel EQ, tuning, and velocity response. The beautiful tone of Pearl, captured through each of the four microphone positions, truly ‘sings’ with each key press. We decided we simply had to capture it and craft a timeless virtual instrument – and that’s exactly what we did. When we first played this magnificent grand piano in its concert hall, we fell in love. We recommend reading the updated manual even if you’re familiar with the original release! Concept We’ve also upgraded the library to Kontakt 5.5, allowing for full NKS (Maschine / Komplete Kontrol) compatibility, snapshots, and other handy features. Users of v1 will find the interface mostly familiar, but editing capabilities, pedal realism, and noise have all been greatly improved. This version is a total rewrite of the playback and performance engine of Pearl without changing the lovely recordings. 2 - Romantic Classic Franz Liszt 9:36īased on years of customer feedback, we released version 2.0 of Pearl in September 2018. The Swan (Naked + Pad) Rayshaun Thompson 2:30.Mission to the Sky (Naked) Phil Chapavich 1:53.These Fears (Dressed) - Rising Cinematic Rock Nicolas Felix 2:14. The Swan (Dressed) - Ambient Atmospheric Rayshaun Thompson 2:30.Mission to the Sky (Dressed) - Cinematic Tension Phil Chapavich 1:58. Aquamarine (Naked) - Evocative Solo Jason Cullimore 1:59.Suffocation (Naked) - Impressionist Nabeel Ansari 1:30.Your Eyes (Dressed) - Cinematic Warmth Phil Chapavich 0:56.Mother of Pearl (Naked) - Atmospheric Solo Simon Poole 1:41.50 Shades of Pearl (Dressed) - Smooth Jazz Brad Jerkins 2:26.Under a White Moon (Naked) - Minimalist Wilbert Roget, II 2:56.Winding the Gears (Dressed) - Percussive Orchestral Kurt M.Deep Down (Dressed) - Uplifting Cinematic Brad Jerkins 1:43.Doug McKenzie) - Jazz Solo Dave Brubeck 6:09 Leaving (Dressed) - Contemplative Cinematic Henning Nugel 3:42.
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